Charlemagne Palestine !! an extraordinary person - an experience you´ll never forget ! Not only his performance at the Französischer Dom is remarkable - we managed to get an interview before his gig. he is an epiphany himself ! of course we can´t transport the full experience of an organ which is resonating with the audience and the dom ! but check the video to get at least a taste….
Charlemagne Palestine Französischer Dom Spectral ContinuumSpectral Continuum Berlin 2010 by Charlemagne Palestine
by February 10th, 2010Carnivorous Domestic Entertainment Robots @transmediale 2010
by February 8th, 2010Carnivorous Domestic Entertainment Robots from auger-loizeau & zivanovic material beliefs (James Auger / Ander Zivanovic)
Ander Zivanovic Carnivorous Domestic Entertainment Robots James Auger material beliefsReConstitution @ transmediale 2010
by February 7th, 2010ReConstitution by Sosolimited (Justin Manor / Eric Gunther)
Sosolimited having a live performance at transmediale.10 called “The LongConversation”. Eric Gunther, Justin Manor and John Rothenberg are visualizing the conference talk in real time for about 12 hours. We were getting them for a short talk about their experiences with their artwork ReConstitution and their performance today.
ReConstitution was a live remix of the 2008 US Presidential debates performed by Sosolimited in Boston, New York, and Washington DC. This movie shows highlights from the performances and gives an overview of selected transformations.
Eric Gunther Justin Manor ReConstitution Sosolimitedchapter I - the discovery
by February 6th, 2010we proudly present one of our favourite artworks nominated for the transmediale award 2010 : chapter I - the discovery from the spanish artist Félix Luque Sánchez which is exhibited in the cervantes institute near alexanderplatz. we had the pleasure to get him for an interview. so listen to him personally :
and here´s the docuvideo by himself including the first room :
cervantes institute chapter I dodekahedron Félix Luque Sánchez the discovery tm10 transmedialeGraffiti Analysis by Evan Roth and Chris Sugrue
by December 30th, 2009Graffiti Analysis 2.0 takes live tags and transforms them into active 3D animations. The project is by Evan Roth and software development by Chris Sugrue and was recently showcased at the BLK River Festival in Vienna.
Eyewriter at Blackriverfestival
by December 6th, 2009Three members of the eye-writer initiative tell us about their project, how it started and how it developed. There is more great video documentation available on vimeo, like this clip:
activism als blackriverfetival vienna chris sugrue evan roth eye tracking eyewriter James Powderly prototype tempt1 vandalInterview with James Powderly (GRL, FAT Lab)
by November 23rd, 2009During the Olympic Games in 2008 James Powderly traveled to Beijing in order to support the group “Students for a free Tibet”. The Idea was to go there and do a L.A.S.E.R. Tag performance. Before he was able to do so he was arrested and sentenced to 10 days of prison. When the games were over he was set free and sent home, where he decided to publish the story as a comic book together with Jihoi Lee. In the interview he tells us about the time in prison and the comic book that was exhibited at the Blackriver Festival in Vienna.
This is the L.A.S.E.R. Tag Video by GRL, for everybody who is not familiar with the project:
from http://graffitiresearchlab.com/rotterdam/laser_tag_WEB.mov
Façade-Play and Body-Sound
by September 12th, 2009“Signs and Signals” @ Ars Electronica Festival 09Last weekend, at the FM4 co-hosted multimedia performance “Signs and Signals”, artist duo freyluft visualized sounds on the surface of the Ars Electronica Center (AEC).
“Any heavy-handed block can be transformed to a magical zone with an illuminated façade”, wrote Gerlinde Lang on the FM4 Website. Now, for sure, the new Ars Electronica Center (AEC) at its location on the banks of the Danube in Linz, does not qualify as a “heavy-handed block”, a magical zone it became nonetheless. This happened courtesy of artist duo freyluft, who, last weekend in cooperation with FM4, made 40.000 LEDs dance on the façade of the AEC, in their performance “Signs and Signals”.
The sounds involved were provided by DJs and live-musicians, but, notably, also by media artist Ulla Rauter, who utilized her own body as an instrument. With an electric violin bow she stroked her right forearm, while her hand was fitted with electric contacts. “The skin serves as a conductor. When the violin bow touches the skin, the circuit is closed”, says Rauter: “It is a sort of biofeedback.”
Text: Patrick Dax, ORF Futurezone Translation: Oliver Stummer
Coded Cultures - Exploring Creative Emergences
by May 29th, 2009Wenn die Maus schreit
Es gibt viele Möglichkeiten, eine Computermaus zu zerstören. Zehn davon hat das japanische Künstlerduo exonemo in der aus Videos und einem Computerprogramm bestehenden Installation “DanmatsuMouse” gesammelt. Einmal saust ein Vorschlaghammer auf das Plastikgadget, ein anderes Mal fräst sich die Klinge eines Küchenmessers durch das Zeigegerät.
Ein Computerprogramm sorgt dafür, dass die reale Maus auf dem Desktop die “Todeserfahrung” ihres gefilmten Pendants nachvollziehen kann und gleichsam final zuckt. Zu sehen ist “DanmatsuMouse” bei der Ausstellung des Coded-Cultures-Festivals, das derzeit im Wiener MuseumsQuartier stattfindet und japanische und österreichische Positionen in der Medienkunst einander gegenüberstellt.
Zum Auftakt der futurezone.ORF.at-Serie “Futurezone Galerie” hat Matthias Tarasiewicz vom Coded-Cultures-Kuratorenteam Ella Esque vom Wiener Medienkunstblog tagr.tv durch die Ausstellung geführt. Die beiden unterhalten sich unter anderem über Martin Pichlmairs Arbeit “Bagatelle Concrete”, die einen Flipper zur Soundmaschine ummodelt, und über Yuko Mohris Installation “The Execution of Mary”, die elektronische Geräte zweckentfremdet.
Coded Cultures endet am Sonntag. Die Festivalausstellung ist noch bis zum 7. Juni im freiraum des Wiener MuseumsQuartiers zu sehen.
(Text: Patrick Dax)
Coded Cultures - Wien 27. – 31. Mai 2009, Yokohama und Tokio 14. – 18. Oktober 2009
Creative Cities: Jaime Stapleton
by April 5th, 2009Jaime Stapleton at the Ö1 Creative Cities Symposium on the 31st of april in the Radiokulturhaus Vienna.
…well, that last question of Jaime put me into a difficult situation: we agreed to ask everyone the same set of questions, so i either had to cut out jamie - or break up the concept that we all agreed on.
I decided to go on with the interview, and even though i didn’t manage to phrase a proper question i think it was a good decision: What followed were the most interesting views on the term creativity i heard in a long time, so even though it’s unedited i recommend the second part of the interview:

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