douglas gordon and philippe parrenos portrait of zinedine zidane left me with a profound impression.
the film has a length of 90 minutes and shows the football player, keeps close focus on him during the match of real madrid contra villa-real on april 23rd 2005. only very short wide shots of the stadium, the field and halls, and parts of the television emission interrupt the camera close-ups on zidanes feet and face.
this shift from the usual football match perception of the whole team as a unit and the ball as center point of attention towards the close-up observation of a single person acting and reacting to the happenings on the field has tremendous impact.
what at first seems like a steady close-up, including surprisingly clear sound from the field and clearly audible zidane, later develops into more and more layers of perception.
we see zidane not only playing the ball, after a while we notice that he remains highly concentrated, but then you can almost see his thoughts shifting as the attention level drops because theres nothing going on close by, or him getting very agressive due to a failed pass. and suddenly he also seems nervous, although he remains quite serious throughout the match.
through slowly noticed changes in the soundscape (main contributor to the soundtrack are british soundscaperock artists mogwai) or the minimally set subtitles gordon and parreno add even more layers to the portrait. suddenly the inner eye sees zidane as a boy playing backyard football, or we hear his reflections on the character of being a pro football player on the huge field with this humongous crowd.
for me this film can not merely be called a simple portrait, it is a carefully assembled composition of impressions, sounds and feelings, more reluctant that a conventional desription of a famous person but poetic in its narrative and developing unusual perspectives on zidane and football. maybe for this the addition: a portrait of the 21st century. a very poetic one.
watch a small portion of the film:
first step :-|
by axolotl and ka
it was quite easy to be reminded to organize everything in time because of huge smiley posters all over town.
the smiley symbol seems to be the main merchandising source this year. we have a number of different theories about the use of this icon. for one it is a trademark and we were wondering if there is a connection involving loads of money. also it was widely used as a symbol for the 80ies acid house movement. an this brings us directly to the last reason: (as you might remember) there were a huge amount of xtc pills that had exactly this symbol engraved 8-)
also we had to discover that now this festival is as far from underground as vienna is from the sea.
not that it is only the fault of sonar, as we had a big phantasy of this cool festival that it can surely not fit. and partly because, well, only one phrase: SELL OUT! :(
almost immediately after the “your payment was recieved” mail the follow-up message told us about the wonderful world of SONAR merchandising this year. the flagship item is the somewhat boboesque adidas-SONAR-vinyl bag “free” for acreditation holders (of which finally we are proud owners) yupiiieeee.
and in good old bobo attitude the guy next to us (of course he was viennese) stated that the vinyl bag really is quite small (we estimate a maximum of 8 discs fit into the bag – good for minimal techno or style but bad for turntabelists)
we found out that the sum of 3500€ buys you a place in the bag for your own commercial insert. the bag exists in a limited edition of 4000 pieces. that’s nearly 1 euro per bag, man *:D
as you can see from the picture, they could’ve spent more thoughts or money on the design.
for the notes, check out the flickr site
after our first contact with the festival (so far we only picked up our bags) we as tagr.tv members officially tag the smiley logo as “not be used again in the next ten years”. we are quite pessimistic concerning the future of our sms conversations.
:) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :)
as an endless number of smileys pass by, the capitalist character of the festival becomes more and more evident.
with the price of almost 50€ per night for entering (if you buy single tickets), we were wondering how expensive drinks will be on the inside. so we are already making plans how to smuggle in huge amounts of beer, but no worry, we have our super special SONAR bags and are allowed using the super special “accreditations only” entrance. :)
%* (as you might not know this particular one stands for “super toasted”)
these are our first impressions. more when we report from the inside tomorrow when the festival actually begins.