Richard Sennett‘s opening keynote at the ars electronica 2010:
This is the Q&A after the Keynote, including some very honest statements. Richard Sennet shared the stage with Johann Kalliauer and Johann Mayr:
Archive for the ‘festivals’ Category
Page 5 of 26
Stefan Riekeles, Program Director of the ISEA 2010, is presenting a selection of pieces of the ISEA 2010 RUHR Exhibition and reflecting over misunderstandings considering the term Sonification and whether the opposite of digital is necessarily analogue.
interview: Emanuel Andel, camera & editing: Sophie-Carolin Wagner
June 2010 @ Nime ( new interfaces for musical expression) congress in Sydney; I got the chance to meet stelarc before he had to catch the plane to his homebase melbourne. After hearing his one hour lecture (showing some impressive videos of his ear on arm surgery ) the other day, it was great to talk in a more laid back atmosphere; I have to admit he can hook you into his passion and brings along an infectious (to stay with terms!) enthusiasm for the future visions of cyborg art and a lot more… For the project ear on arm he won the golden nica hybrid art 2010 at ars electronica.
interview, camera, editing: Kathrin Stumreich
Wada Ei tells us about his performance – we already gave a preview of this in the ISEA 2010 launched post. The next chance to see Ei Wada performing live is at the upcominc Ars Electronica Festival in Linz!
interview & editing: Emanuel Andel, camera: Sophie-Carolin Wagner
This is an Interview with Soichiro Mihara who is one of the participants of the coded cultures exibition at the ISEA 2010 in Dortmund.
interview&editing: Emanuel Andel, camera: Sophie-Carolin Wagner
We arrived in germanies funky Ruhrpott, mostly famous famous for it’s industry – but not these days: The 16th international symposium on electronic arts opened it’s doors to the exhibitions and we are happy to give you a short impression almost real time… This is a performance of Wada Ei that just happened during the opening of the coded cultures exhibition – enjoy!
The Austrians again… well it feels a bit strange to take part on such a big international Festival and meet artists from your country everywhere… I think about 10% of the artists participating at FILE Festival are Austrians somehow – even if the most of them have chosen to live somewhere else. Like Erich Berger who is living in Helsinki and Peter Votava who is living in Berlin. Well, i guess such Festivals are anyway not that kind of patriotic or nationalistic events like football games or ski worldcups ;-) But the international context of such Festivals and the country next to your name reminds you about your origins, even if the new media art scene feels like a family from outer space. If you have such a lot of common interests and ideas like in such a community, distances and borders just dont exist. I wish everybody could feel the same !
But actually i wanted to write about the Heart Chamber Orchestra, who got the second prize in the electronic sonority category at the FILE PRIX LUX Award. And as i liked the performance very much – i have to tell you, that they really deserve it.
Also known as the audiovisual collective Terminalbeach they upgraded there work by adding a whole live playing orchestra. Sounds like a challenge. Right, but the way they are working with the orchestra is fantastic. They connect each of the musicians with heart rate monitors in order to work with their inner metronom and transform this data into a fantastic performance. But listen to their explanations and interesting details yourself:
I had the pleasure to get Ernesto Klar for a short interview. He is an artist from Venezuela, living in New York and won the first prize in the FILE PRIX LUX competition in the category of interactive installations. The FILE PRIX LUX Award took place for the first time this year and had three categories: interactive installations, electronic sonority and digital language.
“Luzes relacionais” (Relational Lights) is an interactive audio-visual installation that explores our relationship with the expressional-organic character of “space”. The installation uses light, sound, haze, and a custom-software system to create a morphing, three-dimensional light-space in which spectators actively participate, manipulating it with their presence and movements. “Luzes relacionais” is a hommáge to the work and aesthetic inquiry of Brazilian artist Lygia Clark.
Lichterloh did a VMS Show on Thursday, 13th May at the Mapping Festival in Geneve. We had the chance to talk with them about light, visuals and the future of Vjing in a light ambient setup.
The Mapping Festival is dedicated to VJing and to the task of combining moving images with contemporary cultures. Thus multiplying the events which animate the town and bestowing itself to the Genevans and international visitors.
Formed in 2005 by Modul8 conceptors and Zoo/Usine, The Mapping is in search of all passionate of real time image use, amateurs of electronic cultures, conviviality and discovery.
The festival is a true laboratory for the VJing discipline, offering both novices and professionals the possibility to experiment and encounter. This unique aspect gives the festival a world-wide reputation in the VJ-community as a meeting point you just have to visit.
INTERVIEW WITH LICHTERLOH
German
Interview: Conny Zenk
Camera: Markus Liszt
Editing: Conny Zenk
Socialize