not only from an aesthetic point of view “the 192 loudspeaker experience” is a installation you have to see ! the immersive soundexperience u face is unique and highly impressive and takes you out on a journey through soundscapes which not just surround you > they even intrude you ! ok, it looks like a huge battle of material (192 loudspeakers, 12 sub-woofers, 24 x 8channel amplifiers, 192 D/A converters, 2 x Quad G5, 1 Macbook), but after experiencing one of the three pieces you know that it´s worth it.
an interactive soundtable >> connecting people by making music together “…in our world everyone is digitally connected but never talking to each other face to face anymore…” >> bringing electronic music to a broader audience >>
because philips moved it’s production to the east we can be here and celebrate electronic culture. a couple of years ago the monotonic movements of production robots determined the daily rhythm, now it is the bumping sound of techno music which makes the people move in a robotic behaviour. it’s an electronic circus with artbots, installations, cinema, lecture and performances… STRP is actually a quite mainstream event with a slightly taste of a critic approach. there are no deepening philosophical lectures or theoretical input. but that’s not the intention of the festival organizers : “The composition of the programme is based on the principle that STRP should be a low threshold festival, geared to a large audience.” – from this point of view it’s definitely a big success! A lot of people not only during the day-time, but also the shows were sold out every night! thousands of people everywhere… mostly dutch of all ages, baby’s to granny’s – they were all there. the dutch people are really the most friendly and helpful people i’ve ever met: yesterday i even got driven home on the backseat of a bicycle – thx walter ! :-) i really enjoyed the people and atmosphere a lot at the festival!
Tracks in electr(on)ic fields, gestures transformed into data, codes that set bodies in motion, prescriptions that ask to be interpreted. Pretended or real identities spread like viruses as they are carried across networks by (un)controlable, commercialised and personalised information services, inhabiting borders and embodying rumours.
I participated to the stream team here and propose some workshop on build DIY electromagnetic antenna, plus some live and intervention in the street.
One of the objective of the festival is to think and work on the archives and memory system to activate and keep alive all the data after an event.
here is some extract of the ambiances of the lectures and preparation of the festival.
Wendy is one of the active member of Constant collective Jussi parikka on constant TV
After a slightly complicated trainsurfingtrip i arrived in Eindhoven, a small beautiful city in the south of Netherlands… if you go to Eindhoven Beukenlaan by train , you’ll see an old Philips Factory… and inside you find STRP, the Festival for Art, Technology and Music. already surprised at the entrance because of the metal-gates guiding the people in lines i was even more puzzled when entering the first zaal, called the brainport zaal… loads of people and sounds and action everywhere… was like entering at a luna park… ok, aaahhh, to much for the beginning… so, what to see first ? i took the festival program and looked for special lectures or performances which i might miss. oh, it’s dutch… do you have a english version ? …no, but look at the overview, it’s international ;-) ok, it wasn’t supposed to be an international festival… at least on the web-page you find all the info in english. even the lectures are in dutch. alright, i know german, so i could get some info’s out of “paradise bij the laptoplight”, a lecture with the topic “next nature“. how nature becomes culture and culture becomes nature. with international speed lectures (english ;-) , so i could understand better). quite informational and critic view about how we try to copy the nature, commercialise it and how all this is becoming nature again. on a broadsheet we got, you could read : “our technological world has become so intricate and uncontrollable that it has become a nature of its own” or “second life is not sustainable”. after that i started to check out the exhibition… wandering around and had lots of fun… in the beginning i was sceptic about the dimension of the festival and the luna park approach, but actually i liked a lot how the people used the interactive works. it was no such shy distance like in other art exhibitions, where people just look, or maybe very carefully touch. the people really use it and even start to invent new ways of playing around. so it’s a hardcore-test for all interactive works here… after a very interesting and intensive exhibition and my exhausting travelling i was to tired to see the music-program, which was a pity, because there was a very good international lineup ! … so i missed modeselektor :-( check out some works from the exhibition >>>
Vunhat Tan(VN) Lasse Marhaug (NO) Gisle Frøysland (NO) set the record straight: Piksel likes Noise, Piksel produces Noise. I can’t say anything about the way they generated their sound, but the way the video signal is generated is as simple as great: Gisle plugs the audio signal to an ancient video mixer, sends it to another video mixer and back again, some feedback, some analog keying, some analog filters – thats it. I like :)
I couldn’t attend to the presentation of this new tool, but i still want to spread the information it because – as far as i can say from the distance – it’s a very interesting low-cost development: The CUI is a interface board that lets you connect up to the 13 analog inputs (10-bit resolution) and buttons/switches to the digital inputs. It’s is kind of similar to the Arduino board with one big difference: It will be recognized by the system as a USB HIDevice, which means that you can get the data from the sensors into max/pd/suppercollider easily using the [hidio] object.
It’s based on a PIC processor, so you can of course also program it in both C and assemler – if you can. The Create USB Interface is available pre-built and bootloaded for $50 on the Create USB Interface homepage. There are also the schematics and part-lists available for download if you fancy soldering it on your own.
Yves Degoyon and Lluis Gomez and presented their recent pdp development PDVJ “pure data visual junk” – it’s all about image processing and visual work within pd that include helpful objects like a colorgrid to pick a color or a videogrid that shows all the videos of a folder.
also opencv (opencomputervision) will be included in pdp in something like a month. Its in full developement at the moment, they were finishing the pdp_opencv_blob object (a blob detection object) right before the talk, so this is cutting edge information. i can’t wait for this one.
also i’ll finally have to get a new computer because all the pdp stuff is done for linux – it also works on osx, but since you have to run X11 on aqua it will not be as fast as on linux. becaused it seems to be loads of work, it’s not planned to port it to window$ ;)
because of dependency problems it won’t be included to pd-extended, you’ll have to install it on your on.
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