OH SNAP!! Google had one of their Streeview camera cars parked in front of the Haus der Kulturen der Welt right here in Berlin. We put a GPS tracking device it and are following it right now!!!! Check this awesome large map we threw together (updates every 2 min) and follow what we see at @fffffat (twitter) (this will be EPIC!!!!)
we proudly present one of our favourite artworks nominated for the transmediale award 2010 : chapter I – the discovery from the spanish artist Félix Luque Sánchez which is exhibited in the cervantes institute near alexanderplatz. we had the pleasure to get him for an interview. so listen to him personally :
and here´s the docuvideo by himself including the first room :
ok, this is as quick and dirty as it gets: today i met jaromil in the hkw and he agreed to do a walktrough with me – so i grabbed the camera i had on me and we started right away – see what jaromil has to tell us…
jaromil will also take part in “the futurity long conversation” on friday starting at 14:00 in the hkw auditorium.
The transmediale 2010 opened it’s doors yesterday, with a Yvette Matterns laser performance “From One to Many” and Charlemagne Palestine’s sound performance. The program looks promising and we already met a lot of great people – so we’re looking forward to a lot of interesting stuff! Here’s a little impression of the opening performance (the snow storm worked great with the laser show, but it made the microphone give up…):
Graffiti Analysis 2.0 takes live tags and transforms them into active 3D animations. The project is by Evan Roth and software development by Chris Sugrue and was recently showcased at the BLK River Festival in Vienna.
During the Olympic Games in 2008 James Powderly traveled to Beijing in order to support the group “Students for a free Tibet”. The Idea was to go there and do a L.A.S.E.R. Tag performance. Before he was able to do so he was arrested and sentenced to 10 days of prison. When the games were over he was set free and sent home, where he decided to publish the story as a comic book together with Jihoi Lee. In the interview he tells us about the time in prison and the comic book that was exhibited at the Blackriver Festival in Vienna.
THX to the very charming and synergetic art-gang”freyluft” (monika freyer und philipp luftensteiner) we can proudly present: “Signs and Signals” the directors cut! It’s a recording of the whole performance, taken from the vis-á-vis Danube bank.
The project:
1. The Building: The Ars Electronica Center (AEC) is a center for the electronic arts, run by Ars Electronica and situated in Linz, Austria. It’s located at the northern side of the Danube, on the right side of the Nibelungenbrücke (witch has a pretty interesszing history itself). The building is also known as the “Museum of the Future“. The museum has six floors filled with creative work from hi-tech laboratories all over the world.
2. The “new” Building: The new building includes a multi-level structure adjacent to the existing facility and then wrapping the entire ensemble in a glass shell, the AEC’s spectacular 5,100-m2 LED façade. The result is a holistic entity, which can be used like a gigantic kind of screen.
3. The Event: Matthias Schoenauer and Sebastian Schlachter from Austrian radio station fm4 produced “Signs and Signals. Together with the artgroup “freyluft” they developed the concept of a audio/ visual performance including the technical possibilities of this special environment. It was extraordinary !!! But see for yourself and enjoy! Other artists included are: Vocalist Mani Obeya, skin-conductor-violinist Ulla Rauter, Patrick Pulsinger and Richard Eigner. For more information about the backstage situation and interviews look at my post: Façade-Play and Body-Sound.
The Japan Media Arts Festival chooses every year another country to show their currently awarded and nominated pieces in an exhibition abroad. This years the exhibition takes place in Vienna. It shows very well that the Japanese art definition differs from the European approach quite a lot, the border between art and design is floating as you can see by the selection of pieces in the exhibition.
Atsushi Wakimoto, the curator of the Japan Media Arts Festival walks us trough the viennese exhibition of the Festival which is running until 20th of September.
“Any heavy-handed block can be transformed to a magical zone with an illuminated façade”, wrote Gerlinde Lang on the FM4 Website. Now, for sure, the new Ars Electronica Center (AEC) at its location on the banks of the Danube in Linz, does not qualify as a “heavy-handed block”, a magical zone it became nonetheless. This happened courtesy of artist duo freyluft, who, last weekend in cooperation with FM4, made 40.000 LEDs dance on the façade of the AEC, in their performance “Signs and Signals”.
The sounds involved were provided by DJs and live-musicians, but, notably, also by media artist Ulla Rauter, who utilized her own body as an instrument. With an electric violin bow she stroked her right forearm, while her hand was fitted with electric contacts. “The skin serves as a conductor. When the violin bow touches the skin, the circuit is closed”, says Rauter: “It is a sort of biofeedback.” Text: Patrick Dax, ORF Futurezone Translation: Oliver Stummer
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