we proudly present one of our favourite artworks nominated for the transmediale award 2010 : chapter I – the discovery from the spanish artist Félix Luque Sánchez which is exhibited in the cervantes institute near alexanderplatz. we had the pleasure to get him for an interview. so listen to him personally :
and here´s the docuvideo by himself including the first room :
Signs and Signals Appendix
THX to the very charming and synergetic art-gang”freyluft” (monika freyer und philipp luftensteiner) we can proudly present: “Signs and Signals” the directors cut! It’s a recording of the whole performance, taken from the vis-á-vis Danube bank.
1. The Building:
The Ars Electronica Center (AEC) is a center for the electronic arts, run by Ars Electronica and situated in Linz, Austria. It’s located at the northern side of the Danube, on the right side of the Nibelungenbrücke (witch has a pretty interesszing history itself). The building is also known as the “Museum of the Future“. The museum has six floors filled with creative work from hi-tech laboratories all over the world.
2. The “new” Building:
The new building includes a multi-level structure adjacent to the existing facility and then wrapping the entire ensemble in a glass shell, the AEC’s spectacular 5,100-m2 LED façade. The result is a holistic entity, which can be used like a gigantic kind of screen.
3. The Event:
Matthias Schoenauer and Sebastian Schlachter from Austrian radio station fm4 produced “Signs and Signals. Together with the artgroup “freyluft” they developed the concept of a audio/ visual performance including the technical possibilities of this special environment.
It was extraordinary !!! But see for yourself and enjoy!
Other artists included are: Vocalist Mani Obeya, skin-conductor-violinist Ulla Rauter, Patrick Pulsinger and Richard Eigner.
For more information about the backstage situation and interviews look at my post: Façade-Play and Body-Sound.
[use you mouse wheel]
“Signs and Signals” @ Ars Electronica Festival 09Last weekend, at the FM4 co-hosted multimedia performance “Signs and Signals”, artist duo freyluft visualized sounds on the surface of the Ars Electronica Center (AEC).
“Any heavy-handed block can be transformed to a magical zone with an illuminated façade”, wrote Gerlinde Lang on the FM4 Website. Now, for sure, the new Ars Electronica Center (AEC) at its location on the banks of the Danube in Linz, does not qualify as a “heavy-handed block”, a magical zone it became nonetheless. This happened courtesy of artist duo freyluft, who, last weekend in cooperation with FM4, made 40.000 LEDs dance on the façade of the AEC, in their performance “Signs and Signals”.
The sounds involved were provided by DJs and live-musicians, but, notably, also by media artist Ulla Rauter, who utilized her own body as an instrument. With an electric violin bow she stroked her right forearm, while her hand was fitted with electric contacts. “The skin serves as a conductor. When the violin bow touches the skin, the circuit is closed”, says Rauter: “It is a sort of biofeedback.”
Text: Patrick Dax, ORF Futurezone Translation: Oliver Stummer
This years theme of the ARS Electronica Festival “a new cultural economy” has been a big challenge for Gerfried Stocker, Christine Schöpf and their team. Maybe my expectations are far to high in concerns of this topic because if i look back to the festival i can´t find a dispute with or a deep investigation into this theme. We are allready familiar with the advantages of web 2.0 and open source at least for us users, but what about the dark side of the holy participation movement ? I think this comes down to a very basic question about ARS Electronica and their positioning. Their idea is a common consideration of art, technology and society far from technical and industrial interests as they write in their pressmap. At least it´s their idea. My reception was kind of different, but i didn´t attend all conferences and lectures to be honest. To present the “University of Tokyo” as a kind of figurehead is at least straightforward in our new cultural economy which heads towards creative industries. Alright, enough complaints. Like every year you find some interesting works out of this huge range of works, and some i even managed to document. funny that two of this works are out of tokyo university. even though the most of the works there were kind of unsubstantial i found some funny ideas and charming realisation like in the installation “ephemeral melody”. but check out the videos…
check out also the official ARS project we guide you where visitors where invited to participate and document the festival.
The winning Project of this years Prix Ars is the Image Fulgurator by Julius von Bismarck (DE) – with good reason. The project is based on technology that’s been out there for the last 40 years. All it does ist to invert the concept of an analog SLR camera and turns it into a projector.
A flash is mounted on the back of a SLR camera and connected to a flash sensor. As soon as a flash from another camera is recognized, the flash goes of, shines through the the dia thats inserted in the camera and projects the image for a few milliseconds – just long enough to be recognized by other camera that triggered the flash initially.
A detailed description can be found on his homepage.
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