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Interview with Peter Horvath

Peter Horvath

Today we talk with Peter Horvath, who has recently inaugurated a retrospective exhibition at the ACA Gallery of the Savannah College of Art and Design, in Atlanta.

Horvath presents a new DVD-installation, called Boulevard, together with other cinematic DVD’s and Internet-based video. He’s a pioneer of the genre, realizing a bridge between the nouvelle vague, the experimental cinema of the 70′s and the new possibilities of the browser-based cinema, the so-called webcinema.

Peter Horvath


LUCA: In this solo exhibition, you will present your new piece “Boulevard”, what is it about?

HORVATH: Boulevard is a 3 channel video installation. It follows two enigmatic, nameless people through their nighttime rendezvous, their drives through California canyons, their secrets, their confessions. I wanted to create a kind of intimate theatre, accessible from the web browser, a dreamlike odyssey that examines multiple states of consciousness within a shadow of family histories.

Filmed in Los Angeles, mostly at night and in the Laurel Canyon/Hollywood Blvd area close to Mullholland Drive, it’s the first work I’ve done that is made for both the web and an installation situation, constructed so that once finished for the web it could be re-constructed into 3 separate DVD’s that are projected simultaneously.

LUCA: What are the influences of the web to cinema, and how has cinema mutated migrating on a network?

HORVATH: I’ve always been interested in fragmenting my narratives, and I’ve done so in past work by having multiple windows open and close within the web-browser environment, playing out various parts of the story. Boulevard is slightly different from past work in that there are no pop-up windows, and instead I’ve divided the screenspace into 3 panels of video. In the web version there are randomly placed texts that appear below the videos that tell a different part of the narrative, fragmenting things further.

Peter Horvath

LUCA: I think webcinema, particularly, is an individual experience, like cinema; how did you manage to install your webcinema pieces in an open space?

HORVATH: I try to create intimate spaces to project the works large scale, but of course the intimacy is different compared to the one on one we have when interacting with the computer. With the ACA show, we constructed 4 rooms, 1 for each work.

LUCA: Talking about cinema, who are your favourite contemporary authors?
HORVATH: Krzysztof Kieslowski, Scorsese, Truffault (can he be considered contemporary?) but my influences lean more toward artists than filmmakers; Bill Viola, Barbara Kruger, Jenny Holzer, Francis Bacon and the Dadaist Hannah Hoch to name a few.

DEAF 07: Interact or Die

I’m at the DEAF07 Festival in the city of Rotterdam. First of all from an italian point of view it’s always amazing to realize how a good organizations of the fluxes of a city can generate a better life: less cars and more bicycle means less noise, the appropriation of the pubblic space by art sculpture means a space the citizens care of.

Rotterdam

Now about DEAF07 i think it’s really well organized. First of all the exhibtion space at Las Palmas it’s inside a building that will be inaugurated next week, but also if you enter trough dust and working people, you don’t care at all as you get in. The space is really raw and trough cement column you can see a lot of interactive art pieces.
And many of these installation are really beautiful. This exhibition is really interesting particularly for his strong statement about interaction: interact or die. It’s a message to the media art scene, that in the last years floated with no clear direction, now the DEAF 07 exhibiton says it loud: interact or die, that’s the destiny for media art. All the pieces are in singular ways intercactive, from mouse to shadow, from fingers to a knife.hand.chop.bot, you can interact with all the part the of the body, from playful to amazing sensation, from surprise to emotions of pure fear.

What really interested me was the qualitative differences of the interaction, that floating trough different ranges provide a clear picture of interactive installations at our time.

DEAF07

The same interactive attitude is implemented in the seminars, that rather than a simple conference and discussion model, they’re structured more on different modules that even overlap eachother: for example the seminar Critical Ecosystem today was really interesting both for the content and for the structure of the seminar itself, that startd with a talk of Matthew Fuller about “art for animal”, that said that “what is suggested in this initial sketch of possible field is a myriadic ecology of perceptual cognitive
sets, some of which may overlap or share functions and capacities.”
Then another talk by Jan Willem Dol about the Greenpeace Campaign greenmyapple.org and after a game about the simulation of life by Rens Kortmann, that continued while Anthony Hall show on another stage his reasearch with wood crafted noise making machines and complex systems to make music with fishes inside a aquarium.
The exhibition is open till the 29th of april, so if you pass by Rotterdam, please go to.

Anthony Hall

Then the place to go is the Un-DEAF festival, where in a open and shared environment there’re talks, music, parties.

pictobrowser

since we upgraded to wordpress 2.1, we now have the possibility to implement the pictobrowser into tagr.tv. it’s easy and works great, find it here: http://www.db798.com/work/

simply enter the flickr account you want to use (no password req.) and select the pictures that you want to show in the slideshow. to do so, you can choose to select via tags, groups or sliedshows. in this example i included all the pictures from the flickr group “CTM Festival”.

asever, nothing is perfect: one problem is, that this is a free service, which doesn’t run on our server but rather on the db798.com server, which will hopefully run as long as flickr works…
the other problem is, that wordpress still has issues to implement it if you place it in the middle of a text. to avoid problems, i recommend to place the slide show at the end of the post.

old posts upgraded with pictobrowser
Christoph Buchel at Coppermill Gallery, London
, Bilgi University Istanbul

Christoph Buchel at Coppermill Gallery, London

christoph buchel’s “Silply Botiful” is a really nice exhibition i found by chance last sunday off bricklane in london.

you enter a hotel and have to sign that you are able to take care of yourself and that you can’t sew the organizers if you hurt your self – very simpatico. so after signing this paper at the reception you enter the first floor of the hotel, which is packed with bed and goods of everyday life. in order to see the all of the rooms you have to crawl throgh little whloes in the walls and the floor, walk through mountains of used fridges and explore containers that look like they are still heavily in use . so far the user impressions, you can find the press release text for the exhibition here, and an online walktrough here.

bilgi university istanbul

the istanbul bilgi university is located in the center of istanbul and offers beside a ecological and a law department also a faculty for communication that offers miscellaneous under- and postgraduate art studies.
the university is part of the erasmus programme since 2 years now.

they are about to build some kind of media arts center in a former powerplant from the 20ies. it’s supposed to house the fact. f. communication feat. a campus, a library, ateliers and a museum of modern art.

looks like a great projekt to me, opening is supposed to be sept. 2007

http://www.ibun.edu.tr/

first impressions+resonante memory traces

Now, just arrived at Transmediale and, like last year, it’s quit hard to choose what to see and what not…There are the Studio, the StudioII, the Salon, the exhibition and about four or even more outside locations…!
Plus: You always meet interesting people you want to spent a lot of time with. If you are in media art, this place feels like after a bath and all the foam is finally melting (just before is going down the drain ;)
Anyway, sometimes after many talks and meet and greetz, surprisingly, I had the chance to attend a performance. In this case by The Austrian Institute for Media Archaeology, who were presenting themselves with four different performances.

Here are some impressions of them:



turntable improvisation
von ushi reiter
live-visuals: julia starsky

Tagr release candidate

Tagrunderconstruction, originally uploaded by tagr_tv.

tagr .tv finallly online. we managed to upload an release candidate by 30th jan. 2007. big up martin f. for doing the quick job, this guy knows how to use coffee and ziggies c u in berlin

first regular day – February 3rd

burn station

@salon
presentation of PLATONIQ: BURN STATION
if u r interested in copyleft licence – look ahead!

FIRST LECTURE:
caused by lack of anticipation we needed some time to get things settled, for the speaker was french so the lecture was in french (wizkid…!) unfortunately the whole audience hadn’t foreseen that so the event started about 20 min. later because we had to get headsets in order to receive german sync…. reminds me of university… and yeah just a hint… if you want to get headsets you need an ID but not any.. it must be a passport or drivers license… crap**

@studio
keynote 01: DOMINIQUE NOGUEZ (paris)

presented by SIMON CRTCHLEY

nouguez - rechts: critchley
left:nouguez – right: critchley

“l’ humour n’ existe pas” …key sentence from the lecteur

the wise doesn’t laugh he smiles. does humour belong to wisdom… rather not… humour is linked to comedy but it’s not the same.

a theatre/show-person isn’t necessarily a comedian but a comedian is definitely a theatre/show person. Humour is a strategy a trick this means humour is always intended in fact it must be.

in his books breton speaks of accidental humour but that can’t exist besause humour is always councious. In contrast to accidental laughing accidental humour isn’t possible.
humour is what’s left over after laughing. and still, humour contains the best what man can give and exactly this fact is the paradox.

discussion between audience and speaker:
good humour means to understand our life and it’s despair in full amount- it’s the only way that makes it possible. this sentence discribes more or less why i declaire humour as non existant.

irony is the unreal for reality and humour the opposite.

when talking about humour it must be handled like when talking about god you have to try to describe the round abouts because you can not capture it.

because so many interesting things occured i wasn’t able to keep track and write down everything … the famous “where is my mind” feeling appeared….

@salon

tick, trick and track

at 9pm we went to the salon to watch the presentation of the “LUCID SOCIETY” with a speech held by MARGUERITE CHARMANTE and a performance by FLESHGORDO aka SUPERMARIO

tick, trick and track

it was very exciting …watch the video.

c-base – February 2nd

so we decidet to go somewhere else, some place were we are “allowed”

and went to the c-base. this is an 4.5 billion years old ancient space construction which was discovered underneath berlin mitte, in 1995 (”!”…)
they say: addictet to the cosmic destination of c-base, a community has spawned to pursue concepts compatible for the future, beyond reach. “wow!!!”
on this evening this meant that they were inviting the digital class of the udk berlin, to make someting like a reality check with them.

then a presentation from hannes koch, random_international, london:
that was pretty impressing:

he had someting like a “glow in the dark” screen and a house painter wheel, he made some pics from people
around him, converted them into black and white pixel-pix and then… he paintet them on the screen with
his wheel…
if this sounds confusing to u, watch the video…

Download and play in your prefered Player: kirsche
Or Get Quicktime: apple.com

here are another project, that made me forget the owfull start of the evening
:)) (onestly, i’ m crasy about that!)

GPS shoe

it’s a work from a guy from the digital class of udk, this shoe is similar to a gps system of a car;
u can give the shoe the information where u want to go to, and then it is calculating the way, if u r leaving
the perfekt line, it feels like going up the walls of a tube. so cool!

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