Archive for the ‘video’ Category

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Tantalum Memorial

Everybody uses mobile devices and computers. Less people know you need a very rare mineral called “tantal” to fabricate microchips this size, soon making it more precious than gold. This very moment, cruel wars are fought over this metal in Congo, resulting in more than 3.6 million deaths to date. The tantalum memorial was created in rememberence of this wars´ victims. In a very unique way, ancient telephone technology, the congolese community in london and storytelling are combined, resulting in the extrordinary piece “tantalon memorial”. a living memorial in a way, through which stories can be told and peolpe are connected, reminging us of the blood dripping from our stylish new devices.

Specialità di Silicio

Performance: Urs Dubacher  (video in german)

specialità di silicio is a hardware cooking performance, in which Urs Dubacher creates a special menu, comprised of silicon. Damaged hardware and other ingredients are fused to a culinary hybrid of absurdity, debris and detritus. Enjoy your meal!

Die Preformance “specialltà di silicio” ist eine Hardware Cooking Performance, in welcher  Urs Dubacher ein spezielles Menü kreiert, welches zum Großteil aus Silizium besteht. Kaputte Hardware und andere Zutaten werden vereint zu einer kulinarischen Einheit der Absurdität. Guten Appetit!

Man With A Movie Camera: The Global Remake

The video artist Perry Bard invites people to a collaborative web-based, database-generated montage experiment. Using Dziga Vertovs masterpiece from 1929 as direct inspiration, participants from all over the world can upload footage on the website next to the corresponding scenes from the original film. Uploaded digital media from photo cameras, video recorders and screen-grabs form part of the new interpretation. The lengths and images of submitted videos are synchronised with the original scenes through software, which then rotates the added material every day, ensuring the film may never be the same twice. Bard’s project transports Vertov’s impressions about the Soviet cities in his experimental silent film into the 21st century and becomes, in Vertov’s terms, the “decoding of life as it is.”.

dziga.perrybard.net

Petko Dourmana – Post Global Warming Survival Kit

Petko Dourmana is a media artist and organiser of interdisciplinary projects between art and information technology. He is co-founder of the InterSpace Media Art Centre, Sofia, which is a non-commercial combination of artists, computer scientists and media activists.

Post Global Warming Survival Kit consists of a two-channel projection and shows infrared images of the North Sea as a post-apocalyptic landscape that the observer can only see by using a night-vision device. Dourmana portrays a dystopian scenario: a “nuclear winter” initiated by political groups or governments in order to solve the problem of global warming and the melting of the polar icecaps.

The installation aims to be a believable, technological fiction of a future in which human sensory experience has adapted. Without the technology posited within the Post Global Warming Survival Kit, we would be blind. With this in mind, the project asks us to consider our approach to environmental pollution and ecological destruction.

Hermann Josef Hack: The whole world is a Climate Refugee Camp

With climate change we all become nomads.

Interview with Hermann Josef Hack. German version only.

Monday, January 26th 2009, the german artist Hermann Josef Hack arranged 200 small tents on the square in front of the Brandenburger Tor to build a miniature version of a refugee camp, the world climate refugee camp. Hack’s art refers to current political issues, for him there is no distinction between art and politics. Furthermore he wants to get in direct contact with the public audience instead of presenting his work in institutional art spaces like museums. That’s why he presents his work in public spaces and likes to watch the reaction of the pedestrians, “the very ones who caused the changes that made people refugees in the first place”.

opening ars electronica center 2009

bragofon liquidator @ roboexotica 2008

i did an interview with the artist mikhael a crest sator ArXeNeKrOHeN who is the creator of the bragophone – a roboter look alike distillator with an charming alchemic touch – creating secret sounds of braga. he did the final distillation on the closing day of roboexotica. watch the interview and parts of the final distillation….

cyberfest 2008. the exhibition

we spent a couple of days at the cyberfest in st. petersburg. and now we spent a couple of days in vienna to recover from the massive alcohol consumption we were committed ;-) . the festival was a small event with very nice people. actually it was that kind of social happening i mostly miss on big media art festivals (no time left because of program overflow). to celebrate life and community is quite a russian way of life anyway i realized. what needs to be mentioned in this case is the griaznaya galleria (dirty gallery) operated by airvalie. we had the honour to resident there during our stay. check out some pictures. the gallery also hosts the artist mikhael a crest sator ArXeNeKrOHeN who is the creator of the bragophone – a roboter look alike distillator with an charming alchemic touch – creating secret sounds of braga. it was also part of the exhibition which took place mostly in the youth centre of the state hermitage museum.

Apart from works of the curator anne frants you could find some very interesting installation´s, like ryan wolfe´s poetic work “field of grass” or brose partington´s tide. but check out some impressions of the cyberfest…

Interview with Richard Barbrook -“THE GAME OF WAR”

Richard Barbrook and the Class Wargames team performed their new version of Guy Debord’s “Game of War” at the Cyberfest 2008. After the performance we managed to have a little walk through St. Petersburg’s Hermitage where the Cyberfest takes place.

Rafael Lozano-Hemmer: “Frequency and Volume”

Rafael Lozano-Hemmer’s installation is the current free exhibition at the Barbican Center in London. The idea is simple – by walking down and throwing a shodow at the 90-metre long acr of the gallery you tune trough London’s radio spectrum, determining the frequenzy by the position of your shadows and the volume by the size of it. This way , the wall becomes a visuals representation of Londons radio landscape.

But for me the most interesting part of the work is the fact that kids as well as grown-ups immideatly start to play with it, just because the interface is nothing else but your shadow – no explanation needed, just interact.

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